In this post I will be discussing Susan Elia MacNeal’s THE QUEEN’S ACCOMPLICE; Mariah Fredericks’ A DEATH OF NO IMPORTANCE; and Allison Pearson’s HOW HARD CAN IT BE?
Before I get to the book-talk, one of my usual pre-ambles. I promise this one will be briefer than the last, but I warn you, it is what some would consider political in nature, while, to me, it is not about politics, rather, it is about the criminals and bigots who are taking over the world.
I know it’s the thing now to bash social media, and it does most definitely deserve much bashing for the role it played in the thieving of the 2016 election and installation of the illegitimate and criminal 45 and his gop-jackbooted-cronies, those usurpers of the SCOTUS seat which ought to have gone to President Obama’s nominee, Merrick B. Garland, who the treasonous lot of rot-sucking no-good goppers, in an unprecedented move, wouldn’t even bring to the floor for consideration thus taking their evil to new heights — but I digress. Yes, Facebook (which I quit five+ years ago) and Twitter are in some part responsible for the decline of civility, the epidemic of tribalism, and targeted-marketed-brainwashing, BUT . . . it is because of Twitter and the Literary crowd who hang there that I have discovered some of my favorite reads and authors. And people.
All three reads in this post are the direct result of Twitter connections, friends, and recommendations; so, even though I have cut WAY back on Twitter, I just can’t give it up and risk missing reads like these.
The Queen’s Accomplice, Susan Elia MacNeal, Paperback, 368pp, October 2016, Bantam
How do I love Susan Elia MacNeal’s Maggie Hope Mysteries? I would say “let me count the ways” but I have never been good at math and the list would reach numbers with which I am unfamiliar.
In this, the sixth of the adventures, a lunatic serial killer — or, as Maggie’s misogynistic co-investigator, Detective Chief Inspector James Durgin of Scotland Yard insists, sequential murderer — is copycatting Jack the Ripper’s brutalities, especially targeting those women who have been recruited to work as Winston Churchill’s spies, like Maggie herself.
And in 1942, as has always been the case during the horrific war, change and danger always await our heroine. Early on she is surprised by friends with the repair of what had been her grandmother’s home, damaged by blitz bombs. In no time, the same night as the surprise party in fact, Maggie’s dear friend, Chuck and her infant Griffin are moved in, having narrowly escaped being blown to bits by a gas explosion in their residence.
Meanwhile, Maggie’s half-sister, Elise Hess, is being tortured in a Nazi camp, having been captured working for the resistance. Near death, she is mysteriously released thanks to the influence of her conductor father, but there is a price to be paid if she wishes to remain free; she must denounce a patron of the resistance or be returned to the camp, and if she disappears, her fellow prisoners of whom she has grown fond will be murdered.
And, too, the mother of Elise and Maggie, the famous opera star and more infamous Nazi collaborator, Clara Hess, is, perhaps, not as dead as originally thought? And Maggie’s father is in hospital, having lost his …
I’m not giving you any more information. I want you to enjoy the layering of characters and situations, the intricate and ingenious weaving of plotlines, all expertly juggled by Susan Elia MacNeal, whose cunning disposition of storylines is also full of period detail and historical information, fascinating facts and particulars that enrich without distracting. Susan Elia MacNeal is one of those writers whose words create a film in the reader’s mind: You can see EVERYTHING she writes about so clearly, the characters are alive, the locations close enough to touch. She takes you there, into a very specific time and place, peopled by well-developed, wholly human, believable people.
Especially notable in this, number six in the series, the parallels with now. Maggie is assaulted — physically and socially/culturally/verbally — repeatedly by sexism and misogyny, there are men in power, with power, who are actively horrible, and, even worse (and still, so so so common), men who have no idea they are being horrible, who think it is their right to belittle others — women, in particular — and believe them to be less than. As horrifying as it is that seventy-five years later women are still dealing with this crap, it is absolutely terrifying that the methods and behaviors and words of the Nazis are being so closely recreated in the world now, especially here in the United States, where a wannabe oligarch/dictator has been illegally installed in an office not rightfully his, and has gone about destroying what makes this country this country, with collaborators everywhere.
So, while The Queen’s Accomplice is even better than the previous installments; unlike some series, in this one, each installment gets better rather than weaker, there is NEVER anything thrown-away/by rote in Susan Elia MacNeal’s writing. In addition to which, her writing is extremely entertaining, distracting even, it is also a warning about what we ought be resisting daily so as to avoid a repeat of the goings on making it necessary for Maggie Hope to undo these mysteries, and work undercover to sabotage the bad men’s plans about which Susan Elia MacNeal so skillfully writes.
I can’t wait to read number 7, The Paris Spy, which I have, and which I am, as I did with this, delaying until the next is released, which will happen on August 7. Yes, number 8, The Prisoner In The Castle, comes out this summer. Speaking of coming out, I worry that Maggie’s gay friend, David, will be outed and treated in the horrifying way gay people were then. But, I trust Maggie will handle that and protect him, as I trust Susan Elia MacNeal with my reader’s heart.
If you have not started reading Maggie, do. Go on, get busy.
A Death of No Importance, Mariah Fredericks, Hardcover, 288pp, April 2018, Minotaur Books
I read this because Susan Elia MacNeal blurbed the front cover calling the novel suspenseful and complex, and, as I’ve said, I trust her.
I wasn’t disappointed.
This is the first in a series of mysteries to feature the lady’s maid, Jane Prescott. It deals with the upper crust of society in New York City, 1910, and has wastrel, wild playboys, nouveau riche social climbers, anarchists, and a plethora of fascinating characters involved in a carefully plotted tale, rich in historical points, a vivid picture of a changing culture and a rip-roaring mystery. I might have figured it out before the ending, but I read a lot of mysteries. I’ll read a lot (I hope) of Jane Prescott tales, because, like Susan Elia MacNeal’s Maggie Hope, Jane Prescott is a character you like, with whom you’re comfortable, who is often better than her surroundings and culture allow her to be, and you want her to win. And you want more of her. Wonderful character debut.
And, last but certainly not least, a novel which is not technically a mystery but, one could call it a comic/social issue thriller. My connection to this is that it was edited by the incomparable Hope Dellon who brings us Louise Penny’s Inspector Gamache series, and M.C.Beaton’s Agatha Raisin series, to both of which I am devoted. This is a sequel (of sorts) by Allison Pearson to her earlier novel, I Don’t Know How She Does It. This one:
How Hard Can It Be, Allison Pearson, Hardcover, 352pp, June 2018, St. Martin’s Press
This is the second novel about Kate Reddy, whose aging children and out-of-a-job, self-help guru-wannabe-in-training husband necessitate a return to the workforce after an extended absence during which she raised a family and turned forty-nine, an age not much in demand — one might even say shunned — in the workforce. Kate fudges her age and her resumé and ends up being hired on a temporary basis by the very same hedge fund she set up years earlier — unbeknownst to those now in charge.
This very, very funny novel hits on so many hot-button growing older, getting through adulthood experiences: the morphing body staring at you from the mirror when yesterday you were tight and twenty; the skin which is now crepe-papery and surrendering to gravity’s pull; the kids from one side pulling at you with their growing up pains and the parents pulling at your from the other with their growing old pains and you, in the middle, with everyone else’s pain to deal with leaving you little time to take care of your own, let alone the misbehaving spouse who is a different person than the one you married, and, maybe, the new version is a not very pleasant sort.
Kate has all of that with which to deal, plus a dilapidated “new” old home in the suburbs which her husband didn’t want in the first place, and the new job where she needs to maintain her semi-false identity and navigate the office politics, which, years later, are still rife with misogyny and backstabbing and credit-grabbing, and add to this list the onset of menopause, her own body tripping her up as she struggles through a return to the workplace and the changing shape of her family and relationships. And herself.
Oh, and then her long-absent near-lover with whom she is lustfully enamored, and who returns the feeling, shows up again.
Allison Pearson has a wicked sense of humour, and a finger (or, more-like, a fist) on the pulse of the Zeitgeist, and delivers a novel both breezily easy to read and recognizably, relatably today in its heroine’s concerns and conflict between her own needs and the demands of those around her/the world, as well as that universal conflict between how we see and think of ourselves versus the box into which the world and culture wants us to fit.
Funny, and without giving anything away, a happy,triumphant resolution — so,good on you Kate. And good on Allison Pearson for giving us a heroine whose humanity includes admitting and owning her flaws and errors with a sense of humour. I wish I were more like her.
So, there it is, my second book post in as many days after a month away. And, just like I had a Twitter connection with all three of these, coming next both a Twitter (two connections there, actually) and personal connection — a fantastic new Y.A. novel, first in an exciting new series by debut novelist Melinda Beatty, Heartseeker. I started yesterday and were I not struggling with the aging, fall-asleep-in-a-chair issue myself, I’d have finished it last night.
Now, off I go. It’s father’s day and so I need to take my dear mom out to lunch and give her the “you raised us alone so you get a father’s day gift, too” card/present. It’s a gift card to Boscov’s because a person can NEVER have too many blouses and earrings. I know this because my mom told me so.
So, here I am, going.