Tonight at Eight . . .Random Charlie

It’s eight o’clock on a Friday night … I’ve changed my sheets! WEEKEND!

Okay, well, I’m not just changing sheets; I’m also listening to the original Broadway cast recording of Hamilton: An American Musical by Lin-Manuel Miranda. I am listening to it because there is no possible way I will get to see it when I am in New York City for my birthday in LESS THAN A MONTH! Hamilton is sold out until — well, a long, long time.

WHO LIVES, WHO DIES, WHO TELLS YOUR STORY?

It’s okay I won’t see Hamilton. I’ll be there in New York from the 13th to 19th. On the 14th I am seeing Frank Langella in The Father. On my actual birthday, the 15th, I am seeing American Psycho and getting a backstage tour. On the 16th I am seeing Miss Barbara Cook and may even get to meet her — so, yes, the 16th will very likely be the day of my death. Thus, I think when I get off the train on the 13th, after checking in at the hotel, I will head to TKTS and try for seat to She Loves Me because I love the music and I think Laura Benanti is grand and I have never seen Jane Krakowski live, so, yes —

I had forgotten how much I loved the entire score from SHE LOVES ME, especially Tonight at Eight, and so, yes, I should try to see it on the 13th because, though I’ve nothing booked for 17th-19th, like I said, I’ll probably die on the 16th meeting Miss Cook.

My sister, a smartass (imagine that, in my family?) suggested I record myself and what I want to say to Miss Cook since in all likelihood I will be weeping with such vigor should I manage to make it into her presence that I will be unable to speak, thus, I could just hold my phone up to her and press play. Hmph.

I AM SEEING BARBARA COOK THE DAY AFTER MY BIRTHDAY! So ridiculously happy about this. I have been listening to all of her recordings again, over and over, too.

Listen to her voicings of the words “close” at 1:13-1:15 and “wrong” at 1:21-1:22, and “want” at 3:01-3:02, every single time she sings “losing” (god, so so so much pain into two syllables, again and again, how can you not weep?), because each of those words has so much story in them — she gives you hours of subtext; you can SEE the life the singer of the song has lived IN THOSE WORDS. And, holy mother,  the “sleepless nights” at 4:16-4:18 actually has a sob in it without distorting the notes, the visible and audible defeat in “mind” from 4:36-4:42 when the note ends but she CONTINUES the emotion in her AMAZING silence until she comes back in at 4:50 with “I want you so” in such a way it seems she is fighting speaking, the way one fights the confession to someone you know no longer wants you but you simply cannot help yourself, so obsessed are you, so in need of them, and she builds and builds the breakdown (totally in control vocally, though) until the “kind” from 5:42-5:46 which morphs into the closed eyes/turning away from the horror of the final self-admission, the facing, the oh god please kill me I’m losing my mind of realizing, “You don’t love me” and WORSE, “I cannot stop loving you – I am losing my mind.” That end, that final note, that reaching vocally and physically for that love she will never have. NEVER has this song EVER been better sung and it never will be. She is without peer. She makes every single song a journey like this, an emotional tale of truth, beautifully delivered with such intelligence and honesty, nothing false. She is a genius. Brilliant.

Confession: When I sang, it was Miss Cook I strove to please. I wanted never to breathe in idiotic places or sing songs to which I could not bring my soul, always trying to deliver the goods in a way that would meet with her approval.

SUCH A BIG DEAL. Miss Cook and listening to music.

Why is it a big deal that I am listening to music? After a long life of listening to music daily, singing along, knowing the lyrics to nearly every musical written, keeping up with new ones, when I had to leave my last world in which music and theatre played such a huge role, one of the many things that slipped away from me was music. So, playing music in my room as I change sheets, write this, it has a huge-ness. Weird. Feels so weird. Listening again. Will I ever sing again?

I doubt it. But, some days, I miss it. (Confession: I sing alone in the car all the time.)

Weird — this need tonight to confess — confession.

Fitting. This has been a week of weirdness, darlings. I let my feelings be hurt a few times — a couple of times on Twitter. A couple of times by my family. A couple of times by men who think I am English or 40-ish or both.

Then, today, I got my car insurance renewal thank you letter. First of all, I don’t remember being asked if I wanted to renew. Secondly, bright side, since I’ve been with them for more than fifteen years with no tickets or claims I now qualify for no future surcharges no matter how many accidents I have. What? Okay. So, discount for good driving. Hoorah. THEN, I am informed I qualify for the “Over 55 Discount” — WHAAAAT?!?! This was my first “senior” discount and I burst into tears.

Smartass sister again: “You are so eager to die, you’re going to have to get older to do it.” Well, not if the notice of a senior discount or meeting Miss Cook gives me a coronary event. So, HA!

And, might I add (of course I might, I write too much, I’ve been told. And talk too much. So many too much-es about which I’ve been told in my life. I cry too much. I tell too much. I act too much like a girl. I have sex too much. I say no too much. I say yes too much. I want too much. I don’t take care of myself enough (somehow there’s a too much in there) and — well, anyway, TOO MUCH.) that even WITH all the good driver and old man discounts, my insurance still went up. Albeit, only a dollar – BUT STILL!

Oh darlings, I’m tired. It’s been a long week. Gluten-free, sugar-free, corn-free, diabetic friendly, chemical-free(mostly), healthy, clean cooking is so complicated. Everything requires multiple kinds of flour, experimenting with ingredients and temperature and such. I’ve been cooking a couple of hours a day. Which I love to do for my dear ones. I do. Still, my Mom is wonderful, but being with her, watching out for her balance, trying to make sure she is happy, earning enough through random copy editing and ghost blogging and dog/house sitting to pay for her lunches and groceries and such so she doesn’t have to panic about running out of her “monthly funds” — sometimes it is exhausting.

And someone told me this week my blog here would benefit from vigorous cutting. Yes, I know this. But friends, this is a diary, not a short-story. Let’s face it, I’m not a writer, never will be. This is me venting and letting loose and getting out (sort of) the things I need to say — even if it’s just sent into the ether.

So, I have changed my sheets, I have said no to the twenty-year old, I have been listening to Hamilton, I have stomach issues again, I am tired, I say yes too much, I did not say no enough (those are two VERY DIFFERENT things), and Carol is now available on-demand, so maybe I will watch that or read one of my twelve library books (I’ve done it again) or say yes to one of the people who think I’m English and 40-ish — and some said I couldn’t act!  HA! I will have you know, when I played Sweeney, my accent was SO ENGLISH they asked me to pull back by half because no one outside of London would understand me. I don’t know why I’m throwing that in there. I will add that the Baltimore papers reviewed me and said I was terrifying and brilliant and had “crystalline” diction. So, there too.

Uhm … maybe I am losing MY mind.

Love you dears.

Goodnight.

2 thoughts on “Tonight at Eight . . .Random Charlie

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