. . . merrily we roll along . . .

I worship Stephen Sondheim. No secret. And while “favorite” is not a word I like to use in reference to his shows, since they all offer so much, are so different, I have to say that if forced to CHOOSE, I would choose MERRILY WE ROLL ALONG. I love every number. I love the story. I love that it moves backwards in time and how, in doing so, the heartbreak of the final scene – when they are so fresh, so hopeful, so in love with possibility, and we already know just how sad, sorrowful, betraying and awful they will all become – such brilliance. I directed the show. I was quite proud of it – everything (mostly) but particularly the visual vocabulary via set and costumes and lights with which we told the story – it was pretty much – I say with hubris – GENIUS – because we did it with $0 – and yet, we made it rip roar sing move and FLY. It soared. I cried every night. I love MERRILY and now it’s hitting the West End for the first time. If there was a god or any justice, I’d get to see it there. But, I have never been to London, and never will go there. I will probably never see MERRILY again.Or direct again. Or love again. So, I’ll just get by on YouTube clips. Love this show.

So much truth. And – here at the end of life – god – I wish I could go back and tell Charlie – many different Charlies – what he shouldn’t believe, who he shouldn’t believe, and – oh my god – crying again – why love doesn’t ever work, and trust is a trick.

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